Showing posts with label clark race. Show all posts
Showing posts with label clark race. Show all posts

Saturday, February 26, 2011

Clark Race

Photobucket
Clark Race image from Jeff Roteman

Hey, everyone of a certain age recalls the glory years of Pittsburgh radio with the likes of Porky, TL and Mad Mike. But the guy that drew the listeners of the Steel City en masse was KDKA's Clark Race.

He started out by making rather than spinning music. Race was the youngest of eight children growing up in the Depression era, but his parents always managed to scrape together enough coin to keep him in instruments.

As a kid, he played trumpet, accordion and trombone, and led his high school band. Race and his folks attended a fundamentalist church when he was a boy where he developed a love of gospel music.

Race even tried his hand at the tunesmith's craft, writing and recording the ballad "Shy Boy" in 1959. Though it was never released, his wife still has the demo tape.

Like many radio jocks, the Hudson, N.Y., native started his radio career in 1958 as a sportscaster doing local baseball games in Albany. His career as a vinyl spinner began out of the blue when his station manager told him that he wanted him to DJ.

It was the era of jock-driven programming, so he went out to an Albany record store and bought some disks of the songs he liked. Listeners liked the tunes, too, and his show caught on.

Westinghouse heard of Race's popularity and offered him a job at KDKA-AM as part of its effort to attract a younger audience. The 26 year-old came to Pittsburgh in 1959, and hosted a drive time show that owned the City's ear and car radios until 1970.

His opener of "Hi!" - "Hello Clark Race, Hello" (sung), - "And welcome to the show" followed by his theme song, "String of Trumpets" by Billy Muir was burned into the memory of virtually every teen AM radio listener in the sixties. So was his signoff "It's so nice to know so many nice people," lifted from noted DC jock Eddie Gallaher.

At its height, Race's show captured more than 50 percent of the audience, a huge number in the competitive local market. Like the other DJ's, the Top 40 was whatever he decided it would be, and his tastes covered the board.

Following the suburban jocks, Race brought the music of black artists to his mainstream audience. His playlist mixed pop, rock, soul, country and standard hits, and featured local artists like Lou Christie, the Vogues, the Electrons, the Racket Squad and Bobby Vinton.

Race was a master of evaluating songs, breaking Lou Christie's "Lightning Strikes," Bobby Vinton’s breakout tune, "Roses Are Red" and even the novelty ditty of the Royal Guardsmen, "Snoopy and the Red Baron."

He helped create huge local hits by spotlighting "Hanky Panky" by Tommy James, "Because Of You" by Rome & Paris, "It Ain't No Big Thing" by the Electrons, "Cross My Heart" by Billy Stewart, "Hung Up" by the Racket Squad and many others.

How big was he? Beatles manager Brian Epstein invited Race to go to London and meet the Beatles along with Murray the K. That eventually led to one of the few one-upped moments of his life.

The "Fun Lovin' Five" of KQV were KD's main music radio rivals. Their station manager finagled a plane ride from New York to Pittsburgh for Chuck Brinkman and Dexter Allen with the mop-tops that had been promised to Race, who got rudely bumped off the passenger list, along with intro honors (which hadn't been promised; the promoters had a KQV tie-in) for the Beatles' 1964 Civic Arena show. He made sure his audience knew all about the slight, too.

And Race wasn't just a studio wonder. His hops drew kids from all around the region, and in 1963, KDKA-TV began airing Clark Race's "Dance Party," a knock-off of Dick Clark's "American Bandstand" (he inherited the show from Randy Hall) every Saturday until 1966. To get some camera love on the show was a big thing to a high school pair. He drew all the top acts for his fans' dancing pleasure, like the Supremes and Chubby Checker.

His most memorable moment may have been when he had the Strangeloves of "I Want Candy" fame on the show. They had an elaborate cover story of being Australian brothers named Strange. It was concocted by their producers to create a little cachet; in reality they were just touring session players from New York. One part of the tale was that one of the members was a boomerang champ from the Land Down Under.

Live on air, Race handed the guy a boomerang for a demonstration. Never having so much as seen one before, the Strangelove promptly threw it into a camera, knocking it over. Clark asked if that was really the right way to toss the boomerang, and the quick-witted if somewhat sassy reply was "That's why I'm the champion and you're not." Now that's reality TV.

Heck, he even started one of his brother KD jocks on a second career. The late Bob "Tiger Troop" Tracey saw Race ride his Vespa, one of his passions, into the station lot one Saturday. Tracey borrowed it over the weekend, and his love for two-wheeled vehicles was born. He operated Bob Tracey's World of Cycles in Moon for twenty years after he got out the business.

But all things come to an end, and after eleven years in Pittsburgh, Race joined KMPC, owned by Gene Autry, in Los Angeles in 1971. Race was widely considered to be the heir apparent to the station's morning top dog Dick Whittinghill. He got to moonlight, too, when in 1972 Race became the host for ABC-TV's game show "The Parent Game," produced by Chuck Barris.

But working the overnight shift, he never connected with the Southern Cal listeners like he did with his Pittsburgh audience.

Race left the station in 1978 and drifted to gigs in San Francisco and San Diego, finishing his West Coast broadcasting in 1980 working mornings for contemporary Christian music station KBRT on Catalina Island. Like many radio jocks from the early years, he left the business because the power had switched from the DJs to the programming directors.

He returned to Pittsburgh in 1986, opening a bed and breakfast in Sewickley with his wife Diane, and in 1993 they bought another B&B in Amish country, New Wilmington. The Lawrence County inn became Clark & Diane's home. It was actually a dream vocation for the pair, who could often be seen tooling around the area, running errands and giving local tours to their guests.

Race had offers to return to local radio, but always with an oldies format. Race turned them down, not wanting to be caught in that niche; he was listening to Natalie Merchant, Enya and Kenny Rogers, not Bobby Vinton and Lou Christie, in the eighties and nineties.

In 1999, Clark Race died at the age of 66 after a heart attack and a lengthy battle with throat cancer. Diane Race said one of her husband's last hopes was that he could scare off others from smoking, a long-time habit of his.

He had an impressive send off. After all, as Clark Race always said, "It's so nice to know so many nice people." They knew and remembered him.


"String of Trumpets" by Billy Muir

Wednesday, February 13, 2008

those oldies but goodies

porky
The Daddio of the Raddio from Old Radio


Did you grow up in Pittsburgh during the sixties? Then you remember the music scene.

Porky Chedwick: The Daddio of the Raddio, Your Platter Pushin' Papa, The Boss Man, the Pied Piper of Platter, Porky was all those things and more. Porky did all the dances, and his oldies/R&B playlist - and make no mistake, he originated "race" music in this neck of the woods - had kids flocking to his hops, and he still does an odd gig or two. DJ'ing out of WHOD/WAMO in Homestead, he was the man. I can still hear his theme, "Bongo Blues" (until his Porky jingles replaced it) playing in my head.

It's said he made a million dollars at the hops and either gave it away or had it embezzled from him - and he doesn't care. He said God took it from him because He knew the Daddio couldn't handle it. One benefit of his legendary disdain of money is that it kept him clean of the payola stain that covered so many other top dj's of his era.

Once Porky played Martha Reeve's "Dancin' In the Streets" from a downtown broadcast site and told his radio listeners to stop what they were doing and dance to her beat. Kids all over the area stopped their cars in tunnels, at stop lights, and at intersections and got out and danced. Traffic was tied up for hours as it was estimated that 10,000 teens were tuned in while on their way to town to catch Porky's act.

Terry Lee/TL: He spun wax out of McKeesport's WMCK/WIXZ and featured Music for Young Lovers complete with reverb, a biggie back in the day. All the cool cars had it, along with a red light in the back seat. Every radio in the cars parked along South Park's China Wall (a lover's lane frequented by romantic teens and peeping tom police with high voltage flashlights) had his show dialed in. TL managed the Arondies and Swamp Rats (nee Fantastic Dee Jays) and played the heck out them, along with "High on a Hill" by Scott English and "Have I Sinned" by Donnie Elbert. He closed out the show with "Goodnight, My Love," not sure of the artist. He made so much money at the hops that he had security with him to get the swag home.

TL


Clark Race: A KDKA jock through the 1960s, Race had a 50% audience rating, meaning at any one time, half the teen radios in Pittsburgh were tuned to his show. He also hosted the wildly popular TV show "Dance Party," a local American Bandstand. Everyone checked it out just to see if they knew anyone boog-a-looing or slow draggin' on live TV, or better yet, someone that had ditched their steady for a less left-footed partner. He broke Lou Christie's "Lightning Strikes" and Bobby Vinton's "Blue Velvet." Clark Race was also a fixture at the hop scene.

Mad Mike Metro(vich): Mad Mike's show originated from WZUM in Carnegie and was broke into different segments. The more popular were Mad Mike's Moldie Oldies and the Progressive Teen Sound, a showcase for what was basically garage and surfer rock. He's the dude that launched Tommy James' career and he was a regular at West View Dance Land. One famous story has the early Rolling Stones playing live and drawing a crowd of 200 while Mad Mike's competing gig drew 2,000. Mad Mike died in 2000.

mad mike
Mad Mike from Magic Music Machine


The Other Biggies: I couldn't find much on these guys, but they were giants in the 1960s - Charlie Appel, still a part-time DJ and full time reverend, from Monroeville's WPSL (he still has a crew of followers known as the Apple Corps), Brother Love of WAMO, who introduced progressive music to the Burg, and Bob Livorio of WKPA in New Kensington, another renowned hop jock.

The Dance Halls: I'm from the South Hills, and my memory can still dredge up the Linden Grove in Castle Shannon, the White Elephant in White Oak, I think, though it burned down long ago, the Lebanon Lodge in Mt. Lebanon, Sully's in Brentwood - that burned too, occupational hazard, I guess - and West View Dance Land where everyone got down to the Battle of the Bands. Kennywood did some dances, too. A few romances and many boozy parking lot fights were started at these venues. How else would a self-respecting Pittsburgh teen kill the weekend?

The Songs: Culled by memory in no particular order: "Wisdom of a Fool," The Jesters; "The Wind," Diablos; "69," Arondies, "Whip It On Me Baby," Billy Guy; "My Heart Cries," Etta & Harvey; "You're Pushing Too Hard," The Seeds; "High Flying Wine," The Igniters; "Fried Onions," Lord Rockingham; "Love You So Bad," The Empires; "Baby Let Me Bang Your Box," The Bangers; "Someone," The Contrails; "Ain't No Big Thing," The Electrons; "High on a Hill," Scott English; "Drinkin' Wine Spo-Dee-O," Larry Dale; "Shop Around," The Mad Lads; "Love Is So Tough," The Fantastic Dee Jays; "Don't You Hear Me Calling Baby," Ronnie Haig; "Have I Sinned," Donnie Elbert; "Psycho" & "The Witch," The Sonics. Our song? "Everlasting Love," Robert Knight, "Can't Take My Eyes Off Of You," Frankie Valli, and "So Much In Love," The Tymes. One song wasn't enough.

If you can remember most of these names, places and tunes, congratulations - Altzheimers hasn't won yet. And by the power invested in me by The Boss Man, I dub thee an official member of the South Park Cruisers Club, circa 1967. It was a very good year.